SIMON SPURR

He introduced bits and pieces in bright colors, from a yellow overcoat to a striped lilac suit, interspersed among a collection that was otherwise largely gray, black, and shades of neutral. But if the majority of the colors tended towards the unobtrusive, the cuts stood out. Several pairs of pants were aggressively slim, and jackets and blazers—including a gorgeous, buttery burgundy suede jacket—sat close to the body. The final series of slick suits looked effortlessly sharpend unrelentingly cool. The clothes made a commanding statement, definitely not for the faint-of-heart.